pan y rosas release siconauta tourist class by dioxadol borges!

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dioxadol borges is an uruguayan composer born in montevideo, well known in the montevideo underground. he doesn’t perform live and his true identity is unknown. some believe that he is a pianist frustrated with the national orchestra who is believed to have disappeared in 2005.

siconauta tourist class is his first album for pan y rosas. everything is brief. everything is instrumental. fanfare. music for imaginary bass. kitchen sink. beats. marches. synth plucks. block rocks. acid arpeggio. digital brass.

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pan y rosas release sometimes always never by cagey house!

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cagey house has been releasing music since 2005. the tracks generally start as sets of doodles and noodles, and are later edited together into semi-coherent selections. whenever possible, chance, accident, mistake, poor judgment, random acts, misguided notions, uninformed risk, and general ineptitude are incorporated into the compositional environment. cageyhouse always aspires to the sublime, gladly accepts the humorous, and in the absence of either, tries to at least be noisy.

his third album for pan y rosas, sometimes always never, is a short, sample based narrative. the sound is: mellow free. this, while at summer playground. pattern cycle, grasping voices. waver, ascension, bell, string.

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pan y rosas discos release cucharas de arena by canned fit!

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canned fit is sound artist christine schörkhuber’s experimental performative new music act. she creates her sound sphere using hacked effect tools, finger microphones, voice, feedback and a trash orchestra of found sonorous footage. motorized cans vibrate in tune, the sound of materials like cans, tins, metal parts, electronic trash, paper, wood, water and wind are modulated and amplified through open mics.

canned fit’s first album for pan y rosas, cucharas de arena, is equally influenced by experimental improvisation and contemporary composition as it is by electronic dance music, rock and pop music. the primary influence however, comes from listening to the sound of life. the sound is: formation, dissolution and fugacity of shape and structure, distance and closeness, system and chaos. a tightrope between experimental music, soundscape composition and electronic songwriting.

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