pan y rosas release drop shadow on airport runway by nicolas tourney!

Nicolas Tourney is a French experimental musician, sound designer, and owner of the label Snow in Water Records. His electronic works concern perception and act of listening, with the use of various strings, drones and noise-making devices.

His new album was inspired by the heatwave evenings of June 2018, in the south of France, when the heat made sleep impossible. The music is constructed like a soundtrack for a film where the narrative is generated directly by public cameras at airports. Timbres, intensities, pitches and rhythms offer a perceptual immersion, guided by microphones, that opens us to our habits and our dreams.

This musical piece was originally presented during the JeffersonParkExp 2020. You can see the live performance here: https://vimeo.com/480151771

Get the album here!

Jefferson Park EXP with Noisebringers and Lorenzo Gomez Oviedo – December 20, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday December 20 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Noisebringers were created by mistake. (“There are no mistakes, only happy accidents.” ― Bob Ross) A large and loving family consisting of Brice Catherin (your friendly elderly cellist next door), Henry McPherson (pianist and meme artist), and Maria Sappho (pianist and non-composer). Says Sappho, “We can not tell you what we have to offer, as this is an improvisational concert. If you are unsure of what an improvisational concert might be, be assured you are asking the right questions.”

They will present a film ritual: Tente, the mushroom that the crocodile ate, that they created with Afulodidim Nikefolosi (a figure in answer to the challenge: show me a contemporary mixture of Amos Tutuola and Zora Neale Hurston.)

https://www.mariasappho.com/noisebringer

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Lorenzo Gomez Oviedo is a composer and improviser from Argentina. His works explore soundscapes using analog recordings, sound interpretation of everyday objects, etc. He also organizes the experimental music lable, Adaptador Records. Currently, he performs in a duo with Karim Villalba focused on improvisation based collaborations with artists from other disciplines such as dance, poetry and drawing.

https://adaptador.bandcamp.com/

pan y rosas release being time by jenn kirby!

Jenn Kirby is a composer, performer and music technologist from Ireland and currently based in Scotland. She has a diverse creative output, including instrumental composition, electroacoustic music and avant-pop. Her music has been described as having a “sense of adventure and experimentalism.” Jenn’s performance work is centred around hybrid instrument design, building software, re-purposing hardware, and processing improvised vocalisations. She is a lecturer at the University of the West of Scotland.

Her first album on pan y rosas, Being Time, explores an obsession with time and the temporality of sound and experience. Time perceived simultaneously as experiential and retrospective. Time around us, time within us. Listening and being as a temporal experience. A constant flow of now through stillness and trajectory. Electroacoustic, noise, sometimes harmonic. A variety of instruments and sound sources. The voice.

Get the album here!

Jefferson Park EXP with Rachel Devorah and Kimberly Sutton – December 13, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday December 13 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Kimberly A. Sutton is a sound artist, cellist, and sound designer living in Chicago, Illinois. Her installations and sound design work explore the connections between the physical properties of sound and the cultural signifiers of its content. As a cellist her practice is improvisatory and explores the possibilities of expression and reflection through sound and the immediacy of a meditational connection to her instrument.

Recent installations have been shown at ArtPrize in Grand Rapids, Michigan, and the Chicago Home Theater Festival. She has performed at Experimental Sound Studio, the Hideout and the Empty Bottle in Chicago, Yoshi’s in Oakland, Detroit Contemporary, and the Technosonics Festival at the University of Virginia. She has a BA in Political Science and Music from the University of Chicago and an MFA in Electronic Music and Recorded Media from Mills College.

http://kimberlyasutton.com/

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Rachel Devorah is a sonic artist and feminist technologist. Her work seeks to reveal and reframe habits of autoecholocation (situating one’s self with/in sound/space).

She is an Assistant Professor of Electronic Production and Design/Creative Coding at the Berklee College of Music. She studied sound, technology, and gender at the City University of New York (Queens College); San José State University; Mills College; and the University of Virginia. Her work has received support from the Adrian Piper Research Archive Foundation (Berlin), EMS (Stockholm), GRM (Paris), the Jefferson Scholars Foundation [U.S.], MassMoCA [U.S.], MoKS [Estonia], the New Museum (New York), New Music USA, røst [Norway], and STEIM (Amsterdam). Her installation revontulet won the Ruth Anderson Prize from the International Alliance of Women in Music.

http://racheldevorah.studio/

Jefferson Park EXP with Lyn Goeringer and Whereness Quartet – December 6, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday December 6 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Lyn Goeringer is a sound artist and performer who makes her own instruments and multi-media pieces that focus on the unusual and everyday within sound, video, and electronics. Her work relies on intense focus and attention to bring the listener to a point of intentional hearing- a world where unusual objects can bring haunting soundscapes to life, or everyday objects become sonic in ways we do not usually hear them to be. Using singular instances of events, her works investigate individual sounds and images, giving them the time and space they need for their inner complexity can be perceived. She currently teaches at Michigan State University in Composition at the College of Music and Film Studies in the Department of English. She received her Ph. D from Brown University in 2011.

http://www.lyngoeringer.com/portfolio/

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Paul and Ansuman have been playing together since 1996. Each following their paths weaving together contemplative practices and inspirational music. Throughout their journeys they have maintained a devotion to performance live in the moment, responding to place and time through spontaneous improvisation. They are joined by Maureen Wolloshin Oboe/ Cor Anglais and Alistair Zaldua Violin, in this expanded quartet collaboration.

Indian percussionist Ansuman Biswas works in a wide variety of media but his central concern lies between science, work and religion. He is interested in traversing, transposing and translating across many different kinds of border. Improvisation and play are important elements fun his practice, and at its core is the technique of vipassana meditation. Paul Cheneour studied classical Indian and Persian music and his playing seeks to fuse these diverse musical influences. British-Russian Maureen Wolloshin’s research explores women in improvised music; as a composer she combines watercolour graphic score making with practices derived from Scottish piobaireachd and Spanish Arabic music. She has performed with the London Composer’s Forum, and Leeds Experimental Music Ensemble. The British-Colombian composer Alistair Zaldua creates music employing classical and experimental notation, and is a performer of live electronics (including a duet for organ and live electronics with Lauren Redhead), and a conductor.

http://www.ansuman.com/music.html
https://cheneour.com/
https://www.maureenwolloshin.com/
http://www.alistair-zaldua.de/

pan y rosas release the octopus by lauren redhead!

Lauren Redhead is a composer, performer, and musicologist. As a composer she is interested in notation and materiality, increasingly using a combination of experimental approaches to the creation of scores and electronic materials, and improvisation, to realise her projects. As a performer of music for organ and electronics, Lauren works in a duet with Alistair Zaldua. Together they present works that focus on interactivity between the two instrument and invite new considerations of the organ in space, and of notation for their combination. In her writing about music, she focuses on the aesthetics and socio-semiotics of 20th and 21st Century musics.

the octopus is a digital opera that uses text, strings, winds, voice, piano, organ, and electronics to explore the changing aesthetics of the undersea from the imagined perspective of the octopus. While climate change narratives focus most frequently on data about temperature, population numbers, or the material composition of the atmosphere and ocean, this piece ‘listens’ to the environment in order to contemplate the subjective experience of wildlife of their subtly changing environment. It both considers the ‘alien’ nature of life under the ocean, and considers the equally alien nature of life above the ocean to its protagonist.

Get the album here!

pan y rosas release SPKY by Azunak!

Azunak is a project by Enrike Hurtado, who is part of the ixi-audio.net collective and currently teaches sound art at the University of the Basque Country in Bilbao. Enrike builds his own software to make music, sometimes exploring feedback and, in the Azunak project, to tear apart samples of popular music (frequently, but not exclusively, hardcore and extreme metal) to generate raw and minimalistic compositions.

SPKY is a soft and gently textured structure, constructed with layers of fragmented sound. The loops shift through a series of automatic generative cut-and-paste techniques. Moving through the source material, a degenerative process slowly unfolds. References to the sampled song dissolve and abstraction is embraced.

Get the album here.

Jefferson Park EXP with Jessica Gabriel and Reid Karris – November 22 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 22 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Jessica Gabriel is a multidisciplinary artist, puppeteer, life model, permaculturalist, poet, clown, currently based in Vancouver, Canada. Her project tay_ploops is based on tape loops and other textures.

https://jessicagabriel.ca/

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Reid Karris is a multi-instrumentalist, composer, sound enthusiast and improviser hailing from Chicago, Illinois trying very hard to get all the music stuck in his head out for all the world to hear. After spending years as an odd guitarist trying to fit in with the world of rock music Reid shifted his focus towards improvisation, noise, drone and avant-garde. His primary instruments for doing so are prepared guitar and drum kit sent through electronics.

https://reidkarris.bandcamp.com/

Jefferson Park EXP with Andrea Pensado and Nicolas Tourney – November 15, 2pm

In lieu of free live shows at the neighborhood library, we’re doing free live shows via twitch! The next show is on Sunday November 15 at 2pm (CST/UTC-06), join us!

https://www.twitch.tv/jeffersonparkexp

Based in the US since 2002, Pensado uses voice and electronics to make music. Max is her main tool. The programming emphasizes the mapping of synthesis parameters into performance gestures. The approach to both, programming and performance is highly intuitive. The harsh cut up noise result, mixed with the strong emotional component of her music, generates a deeply personal sonic language which inevitably gives rise to intense responses in the most diverse audiences.

Pensado performs extensively in the US and abroad. She also produces Sonorium, a series of experimental music based in Salem, MA.

http://www.andreapensado.com/

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Nicolas Tourney is a French experimental musician, sound designer, and owner of the label Snow in Water Records. His electronic works concern perception and act of listening, with the use of various strings, drones and noise-making devices.

https://www.nicolastourney.com/

pan y rosas release Wir brauchen angst. und schade by Helena Ford!

Helena Ford is a transgender artist from Chicago, IL that specializes in semimodular synthesis and feedback works; her work exists in the same lineage of Eliane Radigue, Pauline Oliveros, and Mira Martin-Grey in the sense of navigating avant-garde and experimental electronic music away from the Academy and to the people. Her most recent series, including her album Wir Brauchen Angst. Und Schade, explores transness in the form of no-input feedback mixing; she deftly produces sonic sculptures and art from the same principles of musique concrete and minimalism and uses them to showcase the experience of being a transgender woman in today’s society. Her common album themes include gender dysphoria, anxiety, passing, and other such topics and the length of her solo releases are meant to invoke the immense span of time that it takes to transition. Aside from her musical endeavors, Helena loves long walks, collecting field recordings, and playing with her cat.

Wir Brauchen Angst. Und Schade explores transness in the form of no-input feedback mixing; she deftly produces sonic sculptures and art from the same principles of musique concrete and minimalism and uses them to showcase the experience of being a transgender woman in today’s society.

Get the album here!