pan y rosas release abc dobrego wychowania by zheimeer!

the most important members of zheimeer are electronic musical instruments and devices (a sampler, a sequencer, a synthesizer, etc.); their creative expression is possible thanks to the help of the only representative of humanity in the group, adrian zalewski, who also coordinates their actions and looks after them during concerts.

abc dobrego wychowania is zheimeer’s second album. it was recorded in 2011 in collaboration with chuck roop who came up with the concept of using irena gumowska’s ABC dobrego wychowania and appears in the role of a reader. the goal is to popularize irena gumowska’s texts from a book of the same name.

get the album here!

pan y rosas release strange loop infinity bliss LIVE 2017 by getdizzzy!

getdizzzy is a composer, dj and game designer living in chicago. drawing from from ambient, hip-hop, techno, experimental sound collage and noise, getdizzzy’s music is idiosyncratic, rewarding, unfamiliar, colorful and accessible.

strange loop infinity bliss LIVE 2017. eight tracks. recorded in new jersey, pittsburgh, new york city and chicago. clock and bird mechanism. wood pulse. blocks. wooze mechanics. frozen glass. sweep slowness. a brief drone.

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pan y rosas release hybrid by isabel nogueira!

isabel nogueira is a performer-composer, musicologist and professor from brasil who conducts research in music, gender, the body, and sound creation. she uses voice, synths, field recordings and electronic devices to make experimental music, noise and sound art. isabel is a member of the medula collective for experimental sounds.

isabel recorded her first album for pan y rosas, hybrid, in april of 2017 in porto alegre with: voice, synthesizers, piano, samples, and recordings. in her words: hybrid voices. hybrid women. constructed and nomade. inner things, outside things happening at the same time, not specifically related. a dance between memory and imagination. nomade voices. cyberorishas. sonic storm.

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pan y rosas release hasta mañana al día siguiente by ana maría romano g.

ana maría romano g. is a musician / sound artist and professor from bogotá, colombia. she teaches in formal and informal spaces and at all levels from small children to university students and is currently a professor at the universidad el bosque. she is the director of the festival en tiempo real – space dedicated to artistic manifestations that involve a dialogue between sound and the use of technologies. she is a general co-coordinator of microcircuitos plataforma digital regional. she shares her artistic and teaching work at concerts, lectures and workshops.

her creative interests have led her to work with both acoustic and electroacoustic methods as well as participate in multidisciplinary projects such as contemporary dance, videodance and performance. she also collaborates with artists from colombia and elsewhere in the world of improvisational and interdisciplinary music.

her first album for pan y rosas consists of five pieces created between 2009 and 2016. reactions to current events. accordion. multiple channels and media. voices. rain. transport.

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pan y rosas release callus / redux by asha tamirisa!

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asha tamirisa is an experimental media artist most interested in audiovisual composition, instruments and interfaces, and gender/race and technology. she is a founding member of OPENSIGNAL, a group of artists concerned with the state of gender and race within electronic / computer based art practices. she holds a b.a. from oberlin college and is currently a doctoral student in the multimedia and electronic music experiments [ MEME ] program at brown university.

asha’s first album for pan y rosas, callus / redux, consists of two longer pieces that she created in august of 2016 using an arp2500, a few various synths and field recordings that she recorded in july of 2015. the sound is slow, patient, shifting drones, sculpted water.

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pan y rosas release MANIPULATION by lauren sarah hayes!

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lauren sarah hayes is a musician and sound artist from scotland who builds hybrid analogue/digital instruments. her music lies somewhere between free improv, experimental pop, techno, and noise. she also composes haptic music that can be experienced as vibration throughout the body and likes creating participatory site-responsive works in unusual locations. she is a regular improviser, enjoying a wide range of collaborators, and for over a decade has given multi-sensory workshops for various groups, including those with sensory impairment, learning difficulties, and autism. she is an associate of the new radiophonic workshop.

her first album for pan y rosas discos, MANIPULATION, is a collection of unedited one-take improvisations that she performed on unpredictable ecological hybrid analogue/digital/human systems between 2008 and 2016. instability arises from the fragilities of touch-based engagement and mutually affecting relationships within the technology.

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pan y rosas release tommy hilfiger by sarah rasines!

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sarah rasines is a visual and sound artist. she was awarded her degree in fine arts at san carlos faculty of fine arts at the universidad politécnica of valencia. she splits her time between artistic creation and her phd research as a fine arts faculty member at the university of the basque country. she belongs to the research group ikersoinu (sound research and artistic space).

she created her new album, tommy hilfiger, in hämeenkyrö, finland and bilbao, basque country over the course of april and may 2016. a mix of computers, recordings and trikitixa – electronic noises and occasional rhythms. it is brief, over too soon and before you know it.

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pan y rosas release no-brain improv by vavabond!

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vavabond is a project of the lap top improviser and noise player, wei wei. she was initially interested with large volume noise made by max/msp, but her current interests focus on free improvised synthesis and processed signals. with insect buzz and electromagnetic hiss as her main inspiration, she explores the themes of time and existence. she works with time-based practice; mechanical and meaningless drones and clicks; and improvisational structures – especially improvisations made with the environment.

no-brain improv is vavabond’s attempt to practice what the writer, yumeno kyusaku, wrote about in his novel, dogura magura.

brain is not the place where thinking comes out. brain is a protein solid without nerve or sense. our spirit or living consciousness rests in each corner of our body.

for this project wei wei developed the rules: do not use the brain during creation/performance. abandon all concepts, aesthetics, logic, thoughts, judgments, conscious decisions. let body and instinct do the job.

get the album here!