Tag: electroacoustic

pan y rosas release REMISE EN BOUCHE by lola de la mata

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lola de la mata (b.1991) is a london based artist, musician, and composer whose practice focuses around the body, collaboration and listening. lola’s work ranges from monotypes and graphic scores, to installations and compositions for movement, voice, electronics and classical instruments.

lola is the organiser behind the interdisciplinary artist group ‘parallel praxis’, which seeks to support and develop process and individual practice, to provide a wider network, and promote collaboration.

REMISE EN BOUCHE, which translates as palate cleanser, or in the mouth, is both an act of refreshment for the ears, and a commentary on the misogyny women experience in the creative industries.

the album combines field recordings, classical rifts, untrained voice, violin, and transformed feedback noise. the layers co exist, tangle, overlap, to form a textured sonic world, full of movement, with sounds appearing and receding into dark voids.

everything you hear in this album was generated acoustically either with instrumentation or concrete sound sources.

get the album here!

pan y rosas release límite by edith alonso!

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edith alonso is a composer, improviser, pianist and sound artist. she was born in madrid and began her classical studies playing piano but quickly became interested in other instruments (guitar, saxophone) and styles (jazz, rock). in the early 90’s she played the electric bass in a well-known punk-rock band of the underground scene.

edith is very active in the improvisation field and explores sounds in many processes. she also collaborates with other media, including film and dance, and sound installations.

límite, edith’s first album on pan y rosas, is a document of a live performance at madrid’s centro-centro in february of 2017. prepared electric bass and synthesizers to create the heaviness.

get the album here!

pan y rosas release obra sintética by jazznoize!

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sergio sánchez (jazznoize / red kite) is a sonic artist from spain, who has been recording material since 2005.

his projects meander around experimental music, from electroacoustic to drone, transforming the acoustic environment that surrounds us all. his conception of sonic manipulation is that of a frontal fight against the old art and bourgeois values.

his work is mainly based on capturing sound realities walking towards a complete conception of concrete music directly related to its historical time period.

obra sintética is a piece created by jazznoize in 2017. soundscape. travelogue. electroacoustic. ambient immersion. sculpture.

get the album here!

pan y rosas release hasta mañana al día siguiente by ana maría romano g.

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ana maría romano g. is a musician / sound artist and professor from bogotá, colombia. she teaches in formal and informal spaces and at all levels from small children to university students and is currently a professor at the universidad el bosque. she is the director of the festival en tiempo real – space dedicated to artistic manifestations that involve a dialogue between sound and the use of technologies. she is a general co-coordinator of microcircuitos plataforma digital regional. she shares her artistic and teaching work at concerts, lectures and workshops.

her creative interests have led her to work with both acoustic and electroacoustic methods as well as participate in multidisciplinary projects such as contemporary dance, videodance and performance. she also collaborates with artists from colombia and elsewhere in the world of improvisational and interdisciplinary music.

her first album for pan y rosas consists of five pieces created between 2009 and 2016. reactions to current events. accordion. multiple channels and media. voices. rain. transport.

get it here!

pan y rosas release illusions by luong hue trinh

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illusions

luong hue trinh is a musician and composer of experimental and electroacoustic music. she graduated with honors in jazz keyboard at the vietnam national academy of music. although she began her studies in jazz, trinh began to work in electroacoustic music in 2010 and it became her main focus. since then she has been guided and inspired by the vietnamese percussionist and composer SonX. she participates in domdom – the experimental music hub in hanoi. since 2015 she has been studying with prof. dr. georg hajdu at the hamburg university of music and theater where her efforts are funded by the daad scholarship for multimedia composition studies.

her first album, illusions, contains two pieces that trinh created in 2016. they are both constructed with field recordings she made in central and southern vietnam. machine sounds. tai tu. evocations of homesickness and family. electronic sounds. huong river shanty. buddhist chant music in huế.

get the album here!

pan y rosas release blue amsterdam by sonicbright!

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Blue Amsterdam

meeting under the influence of the philosophical text tractatus logicophilosophicus by wittgenstein, violinist gaëlle deblonde and musician and visual artist errika manta, searched to expand this text by transforming it into music. the fruit of this collaboration gave birth to a musical performance, tractatus 24.3, which took place at the msh (house of human sciences foundation) in paris, 2010, and led to an ongoing collaboration.

the duo was invited by the artist, dina roussou, to participate in a residence, which was held at the gerrit rietveld academy (academy of fine arts) in amsterdam in october, 2011. the result of this residence was a musical performance called blue amsterdam. the album also contains the shorter piece np 2 which was recorded in 2014.

get the album here!

pan y rosas double release! DAJE by DAJE and zieht das kind an sich by wozzeck!

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DAJE is a solo project of leonardo belardinelli, who would like to sleep forever and ever. (he also provided the drums for the album I by exercise).

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the wozzeck project started in september of 2007 as a free-jazz, noise and ambient-drone ensemble with primary members ilia belorukov and mikhail ershov. currenty the project work both as a trio and as a duo. in duo form belorukov and ershov are transitioning towards improvised electroacoustic and noise music.

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both albums are noisey. both albums are quiet-ish. both albums are compositionally inclined. daje is a single – three songs in about seven minutes. zieht das kind an sich also contains three songs, but runs about twenty five minutes – more of an e.p. controlled feedback. no input mixers. voices. rattling. etc.

get daje here!
get zieht das kind an sich here!