pan y rosas release sizigias by the cátodo dúo!

based in chile, the cátodo dúo consists of amanda irarrázabal on double bass and ramiro molina on electric guitar. they began playing together in 2012 as a way of sharing their experiences in the field of the improvised music. built around a string concept, the duo easily moves from intense rhythmic situations to dense layers of noise. the music is totally improvised and their sound arises from treating instruments as sources of sound in every sense of the word using prepared instruments and avoiding conventional playing.

the second album from cátodo dúo! recorded in the studio over three days, the duo investigates sound spaces that go beyond the primarily acoustic nature of the first album to interact with electronic processes. thick noise compounds appear, revealing what was only hinted at before. audacious electronic transformations. a fluidity. a constant and sustained attention to the moment. a focused syntax.

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pan y rosas release thank you, merciless onlookers!

david mcnamee is a writer, artist, musician, and music label founder/operator.

david selected one track from each of the houses he lived in during a period of psychic wrongness, and rechristened each piece after the area it was recorded in – brighton, kilburn, camden, tottenham, brixton. it’s not so much an exercise in nostalgia, as an exorcism – a way of driving a stake through that time and these songs. of finishing. instinctive sketches that felt right to make. badly-recorded “not music.”

distortion drone flange. baroque gamelan. electro beats. soundtrack.

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pan y rosas release UN by bella!

bella is a brazilian artist and musician who lives in são paulo. she attempts to erase the boundaries between sound and space with performances focused on the imperceptible movements of reality. her work is frequently interdisciplinary and collaborative.

UN is a document of a live performance from february of 2017. the sound is: water vibrates, reflected by a light. drawing image-sound contours. creating a live painting formed by sound, water and light. the interface between science and art.

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pan y rosas release H2RI by anna xambó!

anna xambó is a researcher and musician with a background in computer science engineering, digital humanities and digital arts. she completed her phd in 2015 (the open university), specializing in music computing and HCI, and is currently a postdoctoral researcher at the centre for digital music (queen mary university of london).

her musical practice includes live coding, multichannel spatialization, tangible music, collaborative interfaces, audience participation with mobile devices, and real-time music information retrieval. she has performed internationally and works actively in the music tech and experimental electronic music scene, as a co-founder of the online music records carpal tunnel in barcelona (spain), co-founder of women in music tech at georgia tech (usa), and co-organizer of international concerts.

H2RI is an instance of a generative album created by anna xambó in 2018. the 20 tracks of 1′ each have been generated using her self-built tool MIRLC, a library for using music information retrieval techniques in live coding. a basic rule has shaped the audio sources of the album: to only use of short sounds from the crowd-sourced, online, sound database freesound. each track is complemented with the code in SuperCollider and the attribution to the authors of the original sounds.

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pan y rosas release oblivion by nhung nguyen!

nhung nguyen is an experimental musician and sound artist who has been composing and playing experimental music since 2011. under her own name or the alias, sound awakener, she has been creating sonic waves in hanoi’s underground music scene for the past few years. where the sound awakener project focuses on abstract experimental sounds, releases under the name nhung nguyen tend toward melodic, cinematic material.

oblivion is a composition for contact mics, radio and electronics. during the composition and recording process of this work, nhung nguyen explored the use of found objects, field recordings and electronic processing and linked them with the lost times, abandoned memories and forgotten places. the results are an abstract atmosphere – simultaneously calm, meditative, chaotic and noisy.

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pan y rosas release the wind by dadala!

dadala began in 2004. it was and is a continuation of richard dunlap’s history of routes through music an daudio art. in 2007 a core group of contributors began to coalesce who created material specifically for the dadala project. the group currently consists of richard dunlap, loopy c (chris r. gibson), erocnet (roger sundström), and paul mimlitsch.

the wind is a collage of guitars, keyboards, drums, dulcimers, ambients, acoustmatics, soundscapes, beats, glitches, virtual instruments, derivations, bass clarinets, effects.

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pan y rosas release REMISE EN BOUCHE by lola de la mata

lola de la mata (b.1991) is a london based artist, musician, and composer whose practice focuses around the body, collaboration and listening. lola’s work ranges from monotypes and graphic scores, to installations and compositions for movement, voice, electronics and classical instruments.

lola is the organiser behind the interdisciplinary artist group ‘parallel praxis’, which seeks to support and develop process and individual practice, to provide a wider network, and promote collaboration.

REMISE EN BOUCHE, which translates as palate cleanser, or in the mouth, is both an act of refreshment for the ears, and a commentary on the misogyny women experience in the creative industries.

the album combines field recordings, classical rifts, untrained voice, violin, and transformed feedback noise. the layers co exist, tangle, overlap, to form a textured sonic world, full of movement, with sounds appearing and receding into dark voids.

everything you hear in this album was generated acoustically either with instrumentation or concrete sound sources.

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pan y rosas release nebeculae magellani by Marta SmiLga!

Marta SmiLga is a project of liga smirnova, a riga based musician who lives for electronic music. since early childhood, her main interests have been music and astronomy. using her collection of electronic music instruments, mostly modular and keyboard synthesizers, she generates deep immersive cosmic soundscapes. sometimes they drag you into their gravitational field, like matter to a black hole. sometimes they take you to unknown galaxies far away, full of shimmering stars.

nubeculae magellani is a cycle of two experimental ambient pieces, dedicated to dwarf galaxies that orbit the milky way galaxy: the small magellanic cloud and the large magellanic cloud. Marta SmiLga created the music by sampling modular synthesizers and processing the samples with adobe audition.

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pan y rosas release upheaval 100 by arvo zylo!

arvo zylo has been making experimental music that wavers around, but is undeniably anchored in, the vein of industrial noise, since the year 2000. he works under his own name as well as under the collaborative umbrella moniker “blood rhythms.”

zylo began with no previous knowledge of experimental music, using a primitive sequencer with destroyed presets and intentional malfunctions as a primary source of compositional inspiration. his work has evolved to fetishize extreme layering, repetition, raw material action, feedback, human/animal/onomatopoeia sounds, and naturally abrasive elements without the use of effects pedals.

upheaval is a process piece that zylo has worked on over the course of years. it was initially created as a drone built with samples of divas holding sustained notes. zylo continued to return to and rework that source material. he has now created 100 versions of this piece. version 100 was aired during “drone week” on sound art radio in the uk several times. this final version of upheaval is now released on pyr.

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