pan y rosas release para, sin, contra by lorenzo gomez oviedo & valentina spina!

lorenzo gomez oviedo is a composer and improviser who was born in san juan in 1987. his works have been premiered in various places throughout argentina, chile, brazil and mexico. he has made inroads in exploring soundscapes using analog recordings, sound interpretation of everyday objects, etc.

valentina spina is an argentinian violinist and musician who explores the interpretative expansion of the traditional violin repertoire through extended techniques and electronic media. she also investigates sound in the context of latin american studies.

on april 2, 2018 the two musicians created para, sin, contra using a circuit bent drum machine and an electric guitar. the sound is: space coast. juggle. blast static. sun. surf haze.

get the album here!

pan y rosas release c-s by darius ciuta & chris silver t!

darius ciuta lives and works in kaunas (lithuania). after more than 20 years of service as the drummer of greek neo-psychedelic pioneers purple overdose and no man’s land, chris silver t. decided to temporarily abandon his drum kit in order to embark on a private journey in the sea of sounds that laps the shores of his mind.

their first album for pan y rosas is filled with slow patience, bursts of sound, layers, varied sound sources, locations, times.

get the album here!

pan y rosas release hearmleoþ—gieddunga by lauren redhead!

lauren redhead is an internationally performed composer and an experimental organist whose recent work is published by material press, berlin. she often produces works of graphic and open notation, and often works with multimedia. as an organist she has developed a performance practice for organ and electronics and frequently performs in a duet with alistair zaldua and as an improviser. lauren is senior lecturer in 20th and 21st century music at goldsmiths, university of london.

hearmleoþ—gieddunga was created between 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the finaltracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.

get the album here!

pan y rosas release one bone in the arm by john collins mccormick!

john collins mccormick is a musician and artist based in indianapolis, indiana. he keeps his ear to the world and repeats without accumulating.

one bone in the arm was recorded in november and december of 2017 throughout the midwest of the united states. chicago, evanston, indianapolis, fort wayne, bloomington, ypsilanti, toledo and oberlin. john collins mccormick created sound spaces using a sub woofer, a low frequency sine wave, objects, a fish tank bubbler, a coronet.

get the album here!

pan y rosas release transparent points on four axes by daniel barbiero, ken moore, dave vosh!

daniel barbiero (1958, new haven ct) is a double bassist with an interest in gestural, modular and sound-based composition and improvisation in acoustic and electro-acoustic environments. he frequently works with improvisational dancers and writes regularly on music and related subjects.

ken moore is a percussionist living in northeast ohio. plays synthesizers, piano, bass guitar, udu and cajon drums, didgeridoo and glockenspiel. also does private recording and recently some video.

dave vosh is an analogue modular synthesist and performer active in the washington, d.c. area experimental music world. he curates many events in both the washington and baltimore areas, and performs solo as well as with other like-minded musicians.

transparent points on four axes is a layered, electroacoustic studio collaboration. each track began with a ground layer of a composed or improvised performance on double bass or synthesizer, in tandem with a directed, auto generated soundscape produced by an analogue modular synthesizer. the tracks were finished with a further layering of synthesizer, electronics and percussion. the result is a richly textured music growing out of the dynamic interactions of sound shape, color and line.

get the album here!

pan y rosas release wnyhum by isabel nogueira and luciano zanatta!

isabel nogueira is a performer-composer, musicologist and professor from brasil who conducts research in music, gender, the body, and sound creation. she uses voice, synths, field recordings and electronic devices to make experimental music, noise and sound art. isabel is a member of the medula collective for experimental sounds.

luciano zanatta is a performer-composer, has a phd degree in composition at the federal university of rio grande do sul (ufrgs), brazil. where he is also a faculty member of the music department and teacher at the electronic music centre. he develops research projects in composition and sound creation.

their second album for pan y rosas features beats, electronics, voices. wooze and whine. stutter and bend. pulse and growl. fry and ventilate.

get the album here!

pan y rosas release mortal springs by heavy lifting!

heavy lifting (lucy cheesman) has been playing live coded music using TidalCycles and FoxDot since 2016.

heavy lifting’s first album on pan y rosas, mortal springs, is loosely based on the myths surrounding demeter and persephone. the songs on the album were edited down from a live-coded improvisation using TidalCycles – a language used to describe & generate patterns. you will hear: synth & drum sounds, sample collages, and a small amount of vocals thrown in for good measure.

get the album here!

pan y rosas release curtains: matthies (live at jefferson park, 3-3-18)by wilhelm matthies!

wilhelm matthies is a musician who lives in the milwaukee (wisconsin, usa) area. he records in the studio, releasing solo, duet and group pieces, mostly in the realm of contemporary classical – either as free improvisation or using graphic compositions .

since 2012 wilhelm has been developing a line of string instruments he calls mosesa. his goal is to create an instrument that allows for maximum access to the string spectrum and allows various sounding boards to be attached.

curtains is a document of a performance at the jefferson park branch of the chicago public library that happened in march of 2018. wilhelm used a mosesa 9-CedarPlate and some gutiar effects pedals. strymon’s unset, BlueSky, flint deco and the fishman aura and amped through an orange bass amp, the crush 50 bxt.

get the album here!

pan y rosas release sizigias by the cátodo dúo!

based in chile, the cátodo dúo consists of amanda irarrázabal on double bass and ramiro molina on electric guitar. they began playing together in 2012 as a way of sharing their experiences in the field of the improvised music. built around a string concept, the duo easily moves from intense rhythmic situations to dense layers of noise. the music is totally improvised and their sound arises from treating instruments as sources of sound in every sense of the word using prepared instruments and avoiding conventional playing.

the second album from cátodo dúo! recorded in the studio over three days, the duo investigates sound spaces that go beyond the primarily acoustic nature of the first album to interact with electronic processes. thick noise compounds appear, revealing what was only hinted at before. audacious electronic transformations. a fluidity. a constant and sustained attention to the moment. a focused syntax.

get the album here!