pan y rosas release para, sin, contra by lorenzo gomez oviedo & valentina spina!

lorenzo gomez oviedo is a composer and improviser who was born in san juan in 1987. his works have been premiered in various places throughout argentina, chile, brazil and mexico. he has made inroads in exploring soundscapes using analog recordings, sound interpretation of everyday objects, etc.

valentina spina is an argentinian violinist and musician who explores the interpretative expansion of the traditional violin repertoire through extended techniques and electronic media. she also investigates sound in the context of latin american studies.

on april 2, 2018 the two musicians created para, sin, contra using a circuit bent drum machine and an electric guitar. the sound is: space coast. juggle. blast static. sun. surf haze.

get the album here!

pan y rosas release c-s by darius ciuta & chris silver t!

darius ciuta lives and works in kaunas (lithuania). after more than 20 years of service as the drummer of greek neo-psychedelic pioneers purple overdose and no man’s land, chris silver t. decided to temporarily abandon his drum kit in order to embark on a private journey in the sea of sounds that laps the shores of his mind.

their first album for pan y rosas is filled with slow patience, bursts of sound, layers, varied sound sources, locations, times.

get the album here!

pan y rosas release meduse by christi denton!

christi denton is a portland based composer and sound installation artist who works with found sounds, electronics, and homemade and modified instruments. she has a degree in music composition from mills college and a graduate certificate from the centre de creation musicale iannis xenakis (france).

meduse is her first album for pan y rosas discos. the sound is: beauty or monster. swelling drones. glissando. clicks. pans. crescendo swarm. cluster. chime.

get the album here!

kind words for hearmleoþ—gieddunga by lauren redhead!

Perhaps the most striking aspects, however, are Redhead’s use of voice and vocals. There are extensive spoken-word elements, but these are not dominating, and often multiple voices mix unintelligibly in the background. Thus, aside from a few moments of text recitation, voice is used as another instrument. But when overlayed with scattered and brief acoustic motifs, as well as layers of electronics and drones, Hearmleoþ—Gieddunga takes on a character of its own. In fact, the electronic and acoustic parts often blend to the point of being indiscernible from one another.

Hearmleoþ—Gieddunga is another excellent offering from Pan y Rosas and in the running for album of the year. Well done…

read the whole review here!

pan y rosas release hearmleoþ—gieddunga by lauren redhead!

lauren redhead is an internationally performed composer and an experimental organist whose recent work is published by material press, berlin. she often produces works of graphic and open notation, and often works with multimedia. as an organist she has developed a performance practice for organ and electronics and frequently performs in a duet with alistair zaldua and as an improviser. lauren is senior lecturer in 20th and 21st century music at goldsmiths, university of london.

hearmleoþ—gieddunga was created between 2016-2018 as part of a collaborative project in three stages. lauren redhead created scores, texts, samples, and concepts for performance. alistair zaldua then took part in the realisation of the works for live performance through the development of performance practices and live electronic interfaces. in the final stage of the project, lauren and alistair were joined in the studio by josh cannon who contributed creative studio practices and mixed and mastered the finaltracks. this music is therefore a result of live performances, studio composition and of collaborative exchanges.

get the album here!