“The structures might be minimal, but the resultant sonorities are positively efficacious. “Being States”, shaped by blurs of glimmering melodic crystals, is just a taster. “Plantlife” mutates from a crescendo of static sources to a translucent representation of ecstatic absorption, all of the above in a finger snap. “A Moth Is Born” introduces a galaxy of stunning glissando figurations framed by short semiliquid snippets. In its somewhat disconnected mesmerism, “Fractured Barnacles” calls to mind certain therapeutic aspects of Carl Stone’s work, whereas the final “Gldufglsd” is a wonderful low-voiced drone immersed in heaven-knows-what sort of enhancing process. Contrarily to 2012’s Oto, CP urges us to repudiate the use of headphones (“sound needs space”, as she rightly points out). The disobedient reviewer tried the double approach, the outcome staying – in both circumstances – at levels of excellence. As well as these creations, it is CP theirself who “needs space”. In your record archive.”
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